Wahray and Soul Songs

   Song  Year Length Track
 7 To 8 Then Back To 6 Again 1988  2:43  Bonus
 A Lot of These Things 1988  3:18    3
 A Shock To the System 1991  2:57   31
 A Snowy Day In April 1989  4:14  Bonus
 Alright! 1991  3:01  Bonus
 And So It Goes 1990  2:16  Bonus
 Another Lazy Sunday 1991  2:41  Bonus
 Ballad of a Big Breasted Bimbo 1991  3:42   26
 Best Shot 1990  3:27   21
 Black Jack 1991  5:03  Bonus
 Blue Flowers and Beige Towers     1989  5:24   13
 Blue Frog 1991  2:03  Bonus
 Can’t Get Back 1987  3:24    2
 Concrete and Mustard 1989  3:39  Bonus
 Dark Side Suite 1989  8:35    9
 The Deer With the Golden Eye 1988  6:30    5
 Diamond Ships 1989  4:55   12
 The Difference Between 1995  4:24   35
 Disagree 1989  4:15   18
 Discouragement 1989  5:09   11
   Song  Year Length Track
 Don’t Look Back 1993  5:55   34
 Dry Water 1989  1:32   14
 End Result the Same 1991  3:32  Bonus
 Everything I Forgot 1991  4:19   32
 Fear 1992  3:05  Bonus
 Fire On the Mountain 1991  4:00  Bonus
 The French Toast Affair 1995  4:28   38
 The Fountain 1995  4:00  Bonus
 Free 1988  3:25    6
 Get Together 1989  3:46   15
 Got To Abide By the Rules If You Want to Play     1989  3:22   19
 The Gift 1988  2:40  Bonus
 Girl 1995  3:30  Bonus
 Green Dog 1991  2:35  Bonus
 Heart 1991  3:01  Bonus
 Hopeless 1989  3:36  Bonus
 I Think I’m Losing My Brain     1987  3:02    1
 I Need Her Bad 1989  2:58   17
 It’s Hip To Live In Disgrace 1990  4:15   22
   Song  Year Length Track
 Jennifer 1991  3:17   25
 Kill the Monster! 1988  3:47  Bonus
 King Of the Hill 1991  3:27   28
 Loneliness 1989  4:06   10
 Love In a Pocketbook 1990  4:25  Bonus
 MCMXC 1990  1:45  Bonus
 The Miracle of Surprise 1989  1:54  Bonus
 Mixed Signals 1991  2:43   29
 Mrs. McCleary’s Farm 1990  3:42  Bonus
 Noise 1991  2:16  Bonus
 The Object 1993  2:27  Bonus
 The Old Man 1989  4:38  Bonus
 Olive Hill 1990  2:04  Bonus
 Pressure 1990  2:13   24
 Rabbit Food 1989  4:23  Bonus
 Ric Is Dead, Long Live the Snake 1992  6:17  Bonus
 Rock 1994  6:54  Bonus
 Run 1992  3:31   33
 Sex, Drugs, Rock n Roll 1988  4:14  Bonus
   Song  Year Length Track
 Someday     1988  3:33    7
 Springtime 1989  4:39    8
 Sweet Judy Brown 1989  2:15  Bonus
 Take It As It Comes 1995  4:57   39
 The Telephone 1989  3:16   16
 Things May Never Be the Same 1995  7:43  Bonus
 Try Again 1992  5:30  Bonus
 Under the Appletree 1988  1:49  Bonus
 Used To Be 1995  4:11   37
 What Comes Around, Goes Around 1990  3:18   23
 What Do I Have to Do? 1994  3:34  Bonus
 When It All Falls Down 1990  3:19  Bonus
 Whenever I’m Near You 1995  4:15   36
 Wild Child 1991  5:11   30
 Wilderness 1990  2:02   20
 Witches 1987  3:41  Bonus
 You Drive Me Mad 1991  4:36   27
 You Will Regret This 1989  2:11  Bonus

 
 

The Evolution of Noise Album       More on Wahray and Soul

Wahray and Soul

The Evolution of Noise Album       List of All Wahray and Soul Songs

 
The Evolution of Noise, 1987-1995The analog recording process has all gone the way of the horse and buggy, so it may be a good time to reflect back on this recently past age. With this realization, producer Ric Albano has decided to finally release the many semi-professional, analog recordings he made close to a quarter century ago with The Evolution of Noise, 1987-1995 by Wahray and Soul.

These recordings of original songs were all made in an attic “studio”, on a Fostex 4-track cassette recorder. There is alot of trial and error, experimentation, and development of technical proficiancy along the way.
 

Suggested Listening
Someday (1988)
Blue Flowers & Beige Towers (1989)
The Telephone (1989)
I Need Her Bad (1989)
It’s Hip to Live In Disgrace (1990)
When It All Falls Down (1990)
Ballad Of a Big Breasted Bimbo (1991)
Everything I Forgot (1991)
Run (1992)
Don’t Look Back (1993)
The Difference Between (1995)
The French Toast Affair (1995)

 

Imaginary Lines

List of all Imaginary Lines Songs       Imaginary Lines 33 Album

Erik Trabert, Bret Alexander, Ric Albano, and Ron SimasekImaginary Lines is a studio project produced by songwriter and musician Ric Albano. It was initiated in 2004 and has yielded two full-length albums; Imaginary Lines I (2005) and Imaginary Lines II (2007), and will culminate with the triple-length compilation Imaginary Lines 33 in 2009, the final Imaginary Lines product. Ric Albano had been an active songwriter, producer, and performer in the Hazleton, Pa. area for over a decade starting in 1985. Educated as an audio engineer, he wrote and recorded several semi-professional albums under the pseudonym RAREx, later renamed Wahray and Soul. Many of these recordings have recently been remastered and released by Cygnus Wave as a 72-song collection called The Evolution of Noise, 1987-1995.

From 1996, Albano entered into an undeclared era of retirement from songwriting that would last for the better part of a decade. In those subsequent years he developed several extended piano instrumentals that were worked and reworked until finally being forged into the songs that would become some of the earliest Imaginary Lines tracks (“the original six”). These included “Twilight of Innocence“, “Dawning of Decadence”, “Welcome Home”, “Episode IV” (a Star Wars tribute which was later re-written as “Lorelei“), “Imaginary Lines”, and a couple of instrumental pieces that would later be combined to form “Good Friday“. In 2003, a couple of more songs – “Anthem” and “33 Flames For Mary” – were written and added to the mix.

Originally, Imaginary Lines was to be a “concept album” with several songs that focused on the chasms between perception and reality. Some of the songs that fit well into this concept were “Lorelei” and the title song (“Imaginary Lines” which later became “Soliloquy” and then ultimately “One“). Several other songs that appear only on the 2004 demo were written in this fashion such as “Speak No Evil”, “Paradise”, “Elitist Lament”, and “I Don’t Want to Live Without It”. Over time however, better, more traditional songs were developed to replace the “concept” songs, including “Good Friday“, the 2 written in ’03, and newcomers “Perfect Light” and “The Phoenix“.

The demo was completed in December, 2004 and Albano spent the early months of 2005 shopping for a recording studio in the Harrisburg area. After meeting with Bret Alexander at Saturation Acres in Danville, Albano decided that was the place for him and recordings on Imaginary Lines I began on April 7, 2005.

Taking advantage of the “house band” feature of Saturation Acres, Albano brought on Cellarbirds Bret Alexander on guitars and Ron Simasek on drums. He originally envisioned using several more session players and singers for this album but found that to be over ambitious and costly. Nevertheless, he was determined to make Imaginary Lines I a richly produced album and did so by layering the songs with digital effects, orchestration, and counter-melody. After drums, guitars, and bass were recorded at Saturation Acres, Albano added keyboards and vocals at home studio along with all initial mixing and mastering.

Ultimately, the album contained nine tracks; seven (or half) from the 2004 demo along with two tracks written in early 2005 – “Peace” and “Donovan’s Dread“. There were also two tracks recorded at Saturation Acres that were excluded from the album – “Welcome Home”, which would not appear until Imaginary Lines 33 and a version of “Lorelei” that was determined to be too slow and was chucked in favor of overdubbing and remixing the original, demo version of the song. Over half the songs on the album were longer than five minutes in length and all were constructed with unique arrangements, chord patterns, and instrumentation. The ultimate goal being to compose something of longevity, with new discoveries on every listen, and which might still sound fresh five or ten or twenty years down the line.

Imaginary Lines IAs the first album neared completion, Albano decided that Imaginary Lines would be a 3-album “trilogy” with a definite end, presumably in 2007, no matter how successful the project would be with the public. This plan would lated be adjusted. Imaginary Lines I was released on October 24, 2005 to moderate reviews that ranged from positive comparisons to Genesis, King Crimson, and Pink Floyd to negative comparisons to “show tunes” or over-indulgent prog rock or worse. Ironically, it was Albano’s primary goal of producing a richly-layered album that also may have caused Imaginary Lines I to lack accessibility to the casual listener. While unapologetic about this initial project, Albano was receptive of honest critique and decided early on that the next album, Imaginary Lines II, would consist of more traditional, shorter, and simpler rock songs.

Production for Imaginary Lines II was set to begin in April, 2006, with a timeline similar to that of the previous year and album. The intention was to combine several songs written in late ’05 and early ’06 with a few of the original demo songs left off of the first album. However, these plans got delayed and production on this album did not begin for over a year.

Albano decided to use this time to write in volume, and 2006 became his most prolific songwriting year of the era. “Crimson, White & Indigo“, “The Last Man to Walk Alone“, “The Cup“, “Keep Doing What You Do“, “She Said“, and “Believe” were just some of the songs conceived during the year. A song called “Deuce” was written to end the album with a link to another song “The Last Day of February”, which was set to kick off the album Imaginary Lines III, but neither this song nor album ever materialized. The earliest version of a song called “Trinity”, which was intended be the final song in the collection (last song on Imaginary Lines III), was also composed, cleverly making the final songs in each album to read: “One”, “Deuce”, “Trinity”. A couple of upbeat instrumentals were also written; one called “Can’t Get My Mojo Risen’” and another called “I Kicked a Dog”.

Recording for Imaginary Lines II finally got underway on April 13, 2007 at Saturation Acres. Ron Simasek was again enlisted for drumming duties, but no immediate plans were made for guitar tracks, as Albano tried to stick to the simplicity principle of just piano/bass/drums/vocals of each song with each song being either three or four minutes in length and with a “traditional” arrangement. One planned deviation was to be the 16-minute-plus, four-part “Ocean Suite”, which concatenated two of the “original six” – “Twilight of Innocence” and “Dawning of Decadence”, with the new songs “The Old Man In the Sea” and “Here On the Beach“.

A couple of the later songs written for Imaginary Lines II were the near-comical “Naked“, probably the closest to 1970’s pop that Albano would come, and the driving rocker “The Fool’s Overture“, which picked up the “dangling string” from “One” and kicked off the album.

Imaginary Lines IIAs production progressed on Imaginary Lines II and projection on Imaginary Lines III was assessed, Albano determined to change the overall arch of the project. First, as the deadline of the end of ’07 rapidly approached, Imaginary Lines II was trimmed to 12 tracks by excluding the song “Half Hearted” and including only “Here On the Beach” from the extended “Ocean Suite”. Also, the song “Trinity” had morphed into “Long Way Home” and would conclude this album instead of Imaginary Lines III, which was scrapped altogether due to lack of focus and/or strength of the projected material for that album. Instead, initial plans were made for a large compilation that would include both Imaginary Lines I and Imaginary Lines II in total, along with some of the better songs either excluded from those first two albums, or slated for the now-defunct Imaginary Lines III. So it was that an intentionally under-produced version (or “Naked” version as it was sometimes called) of Imaginary Lines II was released on December 27, 2007, with the promise and understanding that the full version would be featured in the upcoming “33” compilation.

The significance of the number 33 has a bit of history, as Albano considered that as an artist title when he was actually aged 33 (2001-2002). It was later in the title “33 Flames for Mary“, although that was more coincidental than by design. During the later phases of Imaginary Lines II, Albano wrote a light-hearted reciprocal to that song, from the instrumental that was “I Kicked a Dog” and renamed it “33 Shots at Louis“. He also considered a third “33” song (“33 Visions of Time” from the unpublished song “Only a Matter of Time”), but that never materialized. Nevertheless, “33” was a real number to be met by total track numbers and several decisions needed to be made to reach it. Even though far more songs than that sum had already been written (in whole or in part) by the end of 2007, some judicious editing needed to be made to optimize the remaining selections. Ultimately, Imaginary Lines 33 would be made up of 3 distinct sections (spread over 2 discs in hard copy).

Imaginary Lines 33The first section of the compilation (tracks 1-8 of disc 1) is made of previously unreleased material, save that which was omitted from Imaginary Lines II due to time constraints. These include the songs “Crimson, White, & Indigo“, “Tommy’s Got a Gun” “Deuce“, “Princess of Pearl Avenue“, and newcomers “Sister Josephine“, “999 Escape“, and an instrumental titled “Rubicon“. Also included is “Ashes“, which appeared as the prefix link in the Imaginary Lines I version of “The Phoenix“.

This leads into the second section of Imaginary Lines 33 (tracks 9-17 of disc 1), which is the whole of Imaginary Lines I – nearly verbatim. Aside from the re-mastering, the only significant changes to the original are the omission of the “Ashes” intro into “The Phoenix” (the new “Ashes” immediately preceeds “The Phoenix” anyway) and the editing out of about 36 seconds of ad-lib during the coda of “Perfect Light“. Also the faint lyrics (…where is the buzz when you need it the most/drowned in black coffee, eggs, bacon, and toast…) were re-instated into “Lorelei” shortly after the organ solo in the mid section. The first disk ends much the same as Imaginary Lines I, with “One” and the fading of the “dangling string”.

The second disk (and third section of the compilation) is made wholly of the full, complete version of Imaginary Lines II. Starting with the introductory “dangling string” during “The Fool’s Overture“, it is immediately apparent that this is updated from Imaginary Lines II, as Bret Alexander’s droning guitar (originally recorded along with “One“) joins in. All of these songs on disk 2 were remixed and re-mastered, with many having guitar parts added by Erik Trabert as well as further arrangement and production enhancements (albeit not quite to the level of Imaginary Lines I). The sequence of songs follows the same pattern as the original Imaginary Lines II up to track 9 (“The Cup“), with tracks 10-13 being the separately listed tracks of “Ocean Suite”, followed by “Naked“, the previously omitted “Deuce and “Half Hearted“, and finishing with “Long Way Home“.

With the release of Imaginary Lines 33, the project has come to it’s completion. Being that there are no immediate plans to perform live shows, the name “Imaginary Lines” is effectively retired.

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